5 – 15 November 2026 | Various Locations

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11 November 2026 | Craft + Design Canberra

Create an embroidered soft circuit inspired by a memory of early digital technology. Combine stitching, copper tape and sound interaction to explore how personal stories can spark small, creative acts of dissent.

13 November 2026 | Craft + Design Canberra

The International Pathways workshop offers craft practitioners a practical and comprehensive guide to showcasing their work on the world stage. Coordinated by Dr Kevin Murray, editor of Garland magazine, the session maps the full range of international opportunities available to makers, from festivals and craft fairs to funding, prizes and platforms. 

7 + 14 November 2026 | Lakeside + City

In a spirited act of dissent against the boundaries of public space, Localjinni presents two projected night walks through Canberra’s Civic Centre. Led by local artists these saunters reclaim the right to roam and creatively reimagine the city after dark.  

5 November – 12 December 2026  | Craft + Design Canberra

The National Robert Foster Metal Prize exhibition celebrates 15 finalists from across Australia who are questioning, reinterpreting and evolving the possibilities of metal as a contemporary practice. 

5 November – 6 December 2026 | Civic Square  

NEST | Design for the Displaced Future is a major public art commission for the 2026 Craft + Design Canberra Festival, responding to the theme of Dissent. Located in Civic Square, the temporary public art installation brings together sculptural works exploring the universal instinct to nest and belong in a changing world. 

12, 13 + 14 November 2026 | City

Nightwalks with Teenagers is created with local youth, who plan, design and lead public walks through Canberra at night, exploring the neighbourhood with members of the community. It is focused on the power of walking together, bringing together teens and adults to have a unique social experience in shared spaces. 

10 + 12 November 2026 | Northbourne Avenue

Join The Fix It Chicks, architect Jenny Edwards and broadcaster Lish Fejer, for an evening walking tour exploring the retrofit of Canberra’s mid-century public housing on Northbourne Avenue, including access inside one of the retrofitted maisonettes. 

14 November 2026 | Ainslie Arts Centre

Discover the infinite possibilities of simple printmaking in this playful workshop. Using recycled materials and reclaimed textiles, you will create your own patterned cloth to take home, a small and wearable act of dissent. 

7 November 2026 | Canberra Spinners and Weavers

Join Rebecca Mayo and Canberra Spinners and Weavers for a special collaborative event as part of Living City: People, Plants and Place, supports by artsACT and the Australian National University School of Art and Design. Experience the Plant Sensibilia Machine, a large-scale, hand-operated textile dyeing device that brings the creative process from the studio to the public realm. 

7 November 2026 –  30 January 2027 | Canberra Contemporary

In the spirit of Dissent, Canberra Contemporary presents POWER – The Future is Here by Denis Golding, curated by Kyra Kum-Sing, alongside Tal Fitzpatrick's solo exhibition Quietly Seething: Fate, Fury and Transmutation. Together, these exhibitions interrogate power, resistance and transformation through bold and uncompromising contemporary practice. 

6 – 18 November 2026 | Q Gallery

Want to ‘give the finger’ to actions (or inaction) that cause you distress? Sick of responding to issues and concerns with anger or sadness? ‘Radical Joy’ can help you find humour and hope to communicate your concerns.  

7 November 2026 | Canberra Contemporary

Join Canberra Contemporary for a panel discussion on the theme of this year’s Craft + Design Canberra Festival DISSENT featuring exhibiting feminist artist and craftivist Dr Tal Fitzpatrick, MoAD curator Stephanie Pfennigwerth and moderated by artist Raquel Ormella. 

14 November 2026 | Canberra Contemporary

As part of Quietly Seething: Fate, Fury and Transmutation, a major new solo exhibition by feminist artist and craftivist Dr Tal Fitzpatrick, artist Sophie Dumaresq and dancer Juliet Burnett have developed performances that respond to the theme of feminine rage.  

7 November 2026 –  30 January 2027 | Canberra Contemporary

Quietly Seething  is an immersive handcrafted installation inviting visitors to sit within a dazzling embroidered space while listening to the anonymous and deeply personal confessions of 60 female identifying and AFAB (assigned female at birth) people sharing their experiences of feminine rage. 

6 – 18 November 2026 | Q Gallery

Want to ‘give the finger’ to actions (or inaction) that cause you distress? Sick of responding to issues and concerns with anger or sadness? ‘Radical Joy’ can help you find humour and hope to communicate your concerns.  

5 – 22 November 2026 | Canberra Airport

Raw and Refined presents new work by established contemporary jeweller Phoebe Porter, highlighting the origins of the materials she employs and the labour of making. The exhibition celebrates the handmade as an act of creative dissent, challenging consumerism, mass production and conventional notions of value through thoughtful, enduring design.

14 November 2026 | Ainslie Arts Centre

Slow down with clay. Use a mindful approach to make an unfired 'thought bubble' vessel. Watch it decay in nature over time when you are ready.  

19 September 2026 – 31 January 2027  | Canberra Museum and Gallery

RELICS: A New World Rises transforms discarded and obsolete objects into intricate miniature civilisations built from LEGO® bricks. Through creativity, design and storytelling, creators Jackson Harvey and Alex Towler challenge assumptions about waste and value, giving forgotten materials new purpose and inviting audiences to reconsider consumption and obsolescence. 

5 – 15 November 2026 | Australian National Botanic Gardens

Revitrification transforms discarded architectural waste glass into sculptural installations at the Botanic Gardens, in the process researching circular methodologies that give new value to landfill-bound materials. The project embodies dissent, rejecting the convention that discarded glass has reached the end of its useful life in our designed city.